A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 409
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
Pagina 410
... machine would have had to invent them . The new handicraft was in fact to receive presently a powerful lesson from the machine . For the forms created by the machine , when they no longer sought to imitate old superficial patterns of ...
... machine would have had to invent them . The new handicraft was in fact to receive presently a powerful lesson from the machine . For the forms created by the machine , when they no longer sought to imitate old superficial patterns of ...
Pagina 416
... machine canons are instinctively accepted : even the most sentimental manufacturer of motor cars has not been ... machine work and has touched every aspect of life . It is a first step toward that completer integration of the ...
... machine canons are instinctively accepted : even the most sentimental manufacturer of motor cars has not been ... machine work and has touched every aspect of life . It is a first step toward that completer integration of the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word