A Modern Book of Esthetics: An Anthology |
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Pagina 105
The stronger the infection the better is the art , as art , speaking now apart from its subject - matter - that is , not considering the quality of the feelings it transmits . How in art are we to decide what is good and what is bad in ...
The stronger the infection the better is the art , as art , speaking now apart from its subject - matter - that is , not considering the quality of the feelings it transmits . How in art are we to decide what is good and what is bad in ...
Pagina 214
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Pagina 464
It is sometimes said that art is the expression of the emotions ; with the implication that , because of this fact , subject - matter is of no significance except as material through which emotion is expressed . Hence art becomes unique ...
It is sometimes said that art is the expression of the emotions ; with the implication that , because of this fact , subject - matter is of no significance except as material through which emotion is expressed . Hence art becomes unique ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole