A Modern Book of Esthetics: An Anthology |
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Pagina 105
The stronger the infection the better is the art , as art , speaking now apart from its subject - matter - that is , not considering the quality of the feelings it transmits . . . How in art are we to decide what is good and what is bad ...
The stronger the infection the better is the art , as art , speaking now apart from its subject - matter - that is , not considering the quality of the feelings it transmits . . . How in art are we to decide what is good and what is bad ...
Pagina 214
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Pagina 464
It is sometimes said that art is the expression of the emotions ; with the implication that , because of this fact , subject - matter is of no significance except as material through which emotion is expressed . Hence art becomes unique ...
It is sometimes said that art is the expression of the emotions ; with the implication that , because of this fact , subject - matter is of no significance except as material through which emotion is expressed . Hence art becomes unique ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word