A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 240
... meaning . For illustrations , one naturally turns first to the temporal arts . The course of a well - fashioned story is a good example , for each incident determines its follower and all the inci- dents determine the destiny of the ...
... meaning . For illustrations , one naturally turns first to the temporal arts . The course of a well - fashioned story is a good example , for each incident determines its follower and all the inci- dents determine the destiny of the ...
Pagina 242
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
Pagina 268
... meaning of visible formal design than they are to audi- ble design , we need not be surprised that pictures are almost always estimated for qualities which have nothing , or al- most nothing , to do with their formal design or their es ...
... meaning of visible formal design than they are to audi- ble design , we need not be surprised that pictures are almost always estimated for qualities which have nothing , or al- most nothing , to do with their formal design or their es ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words