A Modern Book of Esthetics: An Anthology |
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Pagina 100
The experimental definition ( 2 ) , which makes art consist in the expression of emotions , is inexact , because a inan may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such ...
The experimental definition ( 2 ) , which makes art consist in the expression of emotions , is inexact , because a inan may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such ...
Pagina 261
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms — that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms — that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
Pagina 458
are not ends save accidentally , since they are not fulfillments , consummatory , of means , but merely last terms closing a process . Thus it is often said that a laborer's toil is the means of his livelihood , although except in the ...
are not ends save accidentally , since they are not fulfillments , consummatory , of means , but merely last terms closing a process . Thus it is often said that a laborer's toil is the means of his livelihood , although except in the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word