A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 100
... means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts ...
... means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts ...
Pagina 261
... means , but for ob- jects seen as pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well- being , nor as an object associated with the intimate life of a family , nor as the place ...
... means , but for ob- jects seen as pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well- being , nor as an object associated with the intimate life of a family , nor as the place ...
Pagina 459
... means of music , because they constitute , make , are , music . A disposition of virtue is a means to a certain quality of happiness because it is a con- stituent of that good , while such happiness is means in turn to virtue , as the ...
... means of music , because they constitute , make , are , music . A disposition of virtue is a means to a certain quality of happiness because it is a con- stituent of that good , while such happiness is means in turn to virtue , as the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words