A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Risultati 1-3 di 65
Pagina 221
... ment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the particular knowledge that each successive state of mind tries to impose on him . In each of these three men , the conquest ...
... ment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the particular knowledge that each successive state of mind tries to impose on him . In each of these three men , the conquest ...
Pagina 233
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
Pagina 472
... ment , and also by its discipline of the inmost being . Its discipline is not distinct from enjoyment , but by reason of it . It transforms the soul into the permanent realization of values extending beyond its former self . This ...
... ment , and also by its discipline of the inmost being . Its discipline is not distinct from enjoyment , but by reason of it . It transforms the soul into the permanent realization of values extending beyond its former self . This ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words