A Modern Book of Esthetics: An Anthology |
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Pagina xxviii
... sense of familiarity amid strangeness , the union of the unexpected and the predictable , so characteristic of esthetic experience , is dependent upon the context of each xxviii INTRODUCTION THEORIES OF PSYCHOLOGICAL DETACH- MENT.
... sense of familiarity amid strangeness , the union of the unexpected and the predictable , so characteristic of esthetic experience , is dependent upon the context of each xxviii INTRODUCTION THEORIES OF PSYCHOLOGICAL DETACH- MENT.
Pagina 218
... ment , a happy exception , more or less favored by the tendencies of the time . It has never been clearly enough brought out how far the perfection of the seventeenth - century classicists was an individual success , encouraged , it ...
... ment , a happy exception , more or less favored by the tendencies of the time . It has never been clearly enough brought out how far the perfection of the seventeenth - century classicists was an individual success , encouraged , it ...
Pagina 469
ments . What is wanted is an appreciation of the infinite variety of vivid values achieved by an organism in its proper environment . When you understand all about the sun and all about the atmosphere and all about the rotation of the ...
ments . What is wanted is an appreciation of the infinite variety of vivid values achieved by an organism in its proper environment . When you understand all about the sun and all about the atmosphere and all about the rotation of the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole