A Modern Book of Esthetics: An Anthology |
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Pagina 15
Usually it is not the movement for the sake of the goal but the goal for the sake of the move- ment . The mail carrier who brings his letters to a desig- nated place , performs work and accomplishes a serious activity , but the walker ...
Usually it is not the movement for the sake of the goal but the goal for the sake of the move- ment . The mail carrier who brings his letters to a desig- nated place , performs work and accomplishes a serious activity , but the walker ...
Pagina 143
In the experience of these momentary harmonies we have the basis of the enjoy- ment of beauty , and of all its mystical meanings . But there are always two methods of securing harmony : one is to unify all the given elements ...
In the experience of these momentary harmonies we have the basis of the enjoy- ment of beauty , and of all its mystical meanings . But there are always two methods of securing harmony : one is to unify all the given elements ...
Pagina 298
of effort , of success is no longer bound up with my move- ment , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold ...
of effort , of success is no longer bound up with my move- ment , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word