A Modern Book of Esthetics: An Anthology |
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Pagina 307
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
Pagina 374
for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely ...
for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely ...
Pagina 453
The idea that work , productive activity , signifies action carried on for merely extraneous ends , and the idea that happiness signifies surrender of mind to the thrills and excitation of the body are one and the same idea .
The idea that work , productive activity , signifies action carried on for merely extraneous ends , and the idea that happiness signifies surrender of mind to the thrills and excitation of the body are one and the same idea .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word