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Pagina xiii
It does not reflect existence as merely neutral and colorless; it selects, distorts,
and intensifies. Thus a chair is valued because it has certain qualities, but some
other of its qualities are quite indifferent. An artist intent upon expressing the ...
It does not reflect existence as merely neutral and colorless; it selects, distorts,
and intensifies. Thus a chair is valued because it has certain qualities, but some
other of its qualities are quite indifferent. An artist intent upon expressing the ...
Pagina 307
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain.
That present and particular raising and lifting is merely the nucleus to which ...
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain.
That present and particular raising and lifting is merely the nucleus to which ...
Pagina 374
for us merely a material to be used and never a material to be enjoyed; is the
object merely a cause to produce certain effects, never an end in itself; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
for us merely a material to be used and never a material to be enjoyed; is the
object merely a cause to produce certain effects, never an end in itself; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words