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Pagina 210
Beauty is essentially the object of intelligence, for what knows in the full meaning
of the word is the mind, which ' alone is open to the infinity of being. The natural
site of beauty is the intelligible world: thence it descends. But it also falls in a way
...
Beauty is essentially the object of intelligence, for what knows in the full meaning
of the word is the mind, which ' alone is open to the infinity of being. The natural
site of beauty is the intelligible world: thence it descends. But it also falls in a way
...
Pagina 211
Every form, moreover, is a remnant or a ray of the creative Mind impressed upon
the heart of the being created. All order and proportion, on the other hand, are the
work of the mind. So, to say with the Schoolmen that beauty is the splendor of ...
Every form, moreover, is a remnant or a ray of the creative Mind impressed upon
the heart of the being created. All order and proportion, on the other hand, are the
work of the mind. So, to say with the Schoolmen that beauty is the splendor of ...
Pagina 374
Certainly our life would not be worth living if the transitory stages of using the
world were not alternating with periods through which our mind rests in the world.
Religion and philosophy seek this rest of the mind, this repose of our existence in
...
Certainly our life would not be worth living if the transitory stages of using the
world were not alternating with periods through which our mind rests in the world.
Religion and philosophy seek this rest of the mind, this repose of our existence in
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words