A Modern Book of Esthetics: An Anthology |
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Pagina xxxiv
The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the mind and body is in 'effective rhythm.
The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the mind and body is in 'effective rhythm.
Pagina 210
4 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
4 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
Pagina 368
The highest truth about the thing must be the knowledge of the thing itself , not of its causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the ...
The highest truth about the thing must be the knowledge of the thing itself , not of its causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word