A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina i
... EDITED WITH INTRODUCTION AND NOTES BY MELVIN M. RADER Assistant Professor of Philosophy University of Washington TANFORD LIBRARY NEW YORK HENRY HOLT AND COMPANY 151,4 R127 cop . 2 04.2 768342 COPYRIGHT , 1935. A MODERN BOOK.
... EDITED WITH INTRODUCTION AND NOTES BY MELVIN M. RADER Assistant Professor of Philosophy University of Washington TANFORD LIBRARY NEW YORK HENRY HOLT AND COMPANY 151,4 R127 cop . 2 04.2 768342 COPYRIGHT , 1935. A MODERN BOOK.
Pagina xi
... modern esthetics . syn- The 1. From Semi - imitation to Value - expression . most significant artists and critics of this century , we may safely say , reject all theories of mere imitation . They rec- ognize , implicitly if not ...
... modern esthetics . syn- The 1. From Semi - imitation to Value - expression . most significant artists and critics of this century , we may safely say , reject all theories of mere imitation . They rec- ognize , implicitly if not ...
Pagina 216
... modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines have given birth . They have learned their poetry 1 These articles were published in the September ...
... modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines have given birth . They have learned their poetry 1 These articles were published in the September ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words