A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 120
... distinction - save for academic programs - between moral and esthetic values :
beauty , being a good , is a moral good ; and ... fall within the sphere of morals —
at least if by morals we understand moral economy and not moral superstition .
... distinction - save for academic programs - between moral and esthetic values :
beauty , being a good , is a moral good ; and ... fall within the sphere of morals —
at least if by morals we understand moral economy and not moral superstition .
Pagina 146
The Real , Mr . Marshall tells us , may be exhaustively divided into the Beautiful ,
the Valid or Factual , and the Moral Good . He points out that in the consecrated
phrase “ the Good , the True , and the Beautiful ” the term “ Good ” is ambiguous ...
The Real , Mr . Marshall tells us , may be exhaustively divided into the Beautiful ,
the Valid or Factual , and the Moral Good . He points out that in the consecrated
phrase “ the Good , the True , and the Beautiful ” the term “ Good ” is ambiguous ...
Pagina 164
moral discrimination , not because a privilege of exemption is accorded to it , but
simply because moral discrimination cannot be applied to art . An artistic image
portrays an act morally praiseworthy or blameworthy ; but this image , as image ...
moral discrimination , not because a privilege of exemption is accorded to it , but
simply because moral discrimination cannot be applied to art . An artistic image
portrays an act morally praiseworthy or blameworthy ; but this image , as image ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole