A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 120
... moral and esthetic values : beauty , being a good , is a moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals - at least if by morals we understand moral economy and not ...
... moral and esthetic values : beauty , being a good , is a moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals - at least if by morals we understand moral economy and not ...
Pagina 146
... Moral Good . He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True ...
... Moral Good . He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True ...
Pagina 164
... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the triangle immoral as the Francesca of Dante immoral or the Cordelia of Shake- speare moral , for these have a ...
... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the triangle immoral as the Francesca of Dante immoral or the Cordelia of Shake- speare moral , for these have a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words