A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 120
... moral and esthetic values : beauty , being a good , is a moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals — at least if by morals we understand moral economy and not ...
... moral and esthetic values : beauty , being a good , is a moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals — at least if by morals we understand moral economy and not ...
Pagina 146
... Moral Good . He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True ...
... Moral Good . He points out that in the consecrated phrase " the Good , the True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True ...
Pagina 164
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word