A Modern Book of Esthetics: An Anthology |
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Pagina 39
Going on further , we make a great advance if we allow the contestants to arrange it all in advance : “ You take a good grip and throw me , but I make a sudden move and get the upper hand , ” and so on . This , then , becomes pure make ...
Going on further , we make a great advance if we allow the contestants to arrange it all in advance : “ You take a good grip and throw me , but I make a sudden move and get the upper hand , ” and so on . This , then , becomes pure make ...
Pagina 252
They interest us ; they may move us too in a hundred different ways , but they do not move us esthetically . According to my hypothesis they are not works of art . They leave untouched our esthetic emotions because it is not their forms ...
They interest us ; they may move us too in a hundred different ways , but they do not move us esthetically . According to my hypothesis they are not works of art . They leave untouched our esthetic emotions because it is not their forms ...
Pagina 253
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole