A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 15
... move . Usually it is not the movement for the sake of the goal but the goal for the sake of the move- ment . The mail carrier who brings his letters to a desig- nated place , performs work and accomplishes a serious activity , but the ...
... move . Usually it is not the movement for the sake of the goal but the goal for the sake of the move- ment . The mail carrier who brings his letters to a desig- nated place , performs work and accomplishes a serious activity , but the ...
Pagina 249
... move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I ...
... move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I ...
Pagina 260
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between ...
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words