A Modern Book of Esthetics: An Anthology |
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Pagina 297
Or more generally , I see a person perform some kind of vigorous , nimble , free ,
or bold movements . Let these be the ... The immediate ground of my striving and
doing is in this case not the observed movement , but this wish . And this wish is ...
Or more generally , I see a person perform some kind of vigorous , nimble , free ,
or bold movements . Let these be the ... The immediate ground of my striving and
doing is in this case not the observed movement , but this wish . And this wish is ...
Pagina 298
of effort , of success is no longer bound up with my movement , but merely with
the objective bodily movement observed by me . But this does not suffice . My
inner activity in this imitation is exclusively bound up in a two - fold sense with the
...
of effort , of success is no longer bound up with my movement , but merely with
the objective bodily movement observed by me . But this does not suffice . My
inner activity in this imitation is exclusively bound up in a two - fold sense with the
...
Pagina 299
And it is just because of this that I feel myself performing this movement in the
other ' s movement . In this “ esthetic imitation ” the facts seem to be analogous to
what occurs in an unimitative movement of my own . The only difference seems to
...
And it is just because of this that I feel myself performing this movement in the
other ' s movement . In this “ esthetic imitation ” the facts seem to be analogous to
what occurs in an unimitative movement of my own . The only difference seems to
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |