A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 297
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The immediate ground of my striving and doing is in this case not the observed movement , but this wish .
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The immediate ground of my striving and doing is in this case not the observed movement , but this wish .
Pagina 298
of effort , of success is no longer bound up with my move- ment , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold ...
of effort , of success is no longer bound up with my move- ment , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold ...
Pagina 299
And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own .
And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word