A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 297
... movement the more involuntary will be the imita- tion . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely engrossed by the contem- plation of the movement ...
... movement the more involuntary will be the imita- tion . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely engrossed by the contem- plation of the movement ...
Pagina 379
... movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this balance of im- pulses , this inhibition of movement , corresponding to unity ...
... movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this balance of im- pulses , this inhibition of movement , corresponding to unity ...
Pagina 409
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words