A Modern Book of Esthetics: An Anthology |
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Pagina 7
Rather , there enters in its place a fic- titious serious purpose ; for example , boys in wrestling feel it necessary to throw their opponent , and in contests of skill the intention may be to outstrip others , etc.
Rather , there enters in its place a fic- titious serious purpose ; for example , boys in wrestling feel it necessary to throw their opponent , and in contests of skill the intention may be to outstrip others , etc.
Pagina 105
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
Pagina 232
By this is meant the fact that each element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through ...
By this is meant the fact that each element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word