A Modern Book of Esthetics: An Anthology |
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Pagina 31
An inquiry conducted recently in the public schools of Berlin showed that fifty - three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen a wheat field , seventy per cent had never seen a sunrise , seventy ...
An inquiry conducted recently in the public schools of Berlin showed that fifty - three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen a wheat field , seventy per cent had never seen a sunrise , seventy ...
Pagina 185
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
Pagina 236
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole