A Modern Book of Esthetics: An Anthology |
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Pagina 31
An inquiry conducted recently in the public schools of Berlin showed that fifty -
three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen
a wheat field , seventy per cent had never seen a sunrise , seventy - five per cent
...
An inquiry conducted recently in the public schools of Berlin showed that fifty -
three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen
a wheat field , seventy per cent had never seen a sunrise , seventy - five per cent
...
Pagina 185
What the artist fixes on his canvas is something he has seen at a certain spot , on
a certain day , at a certain hour , with a coloring that will never be seen again .
What the poet sings of is a certain mood which was his , and his alone , and
which ...
What the artist fixes on his canvas is something he has seen at a certain spot , on
a certain day , at a certain hour , with a coloring that will never be seen again .
What the poet sings of is a certain mood which was his , and his alone , and
which ...
Pagina 236
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |