A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 185
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
Pagina 236
... never absent from bal- ance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the ...
... never absent from bal- ance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the ...
Pagina 374
... never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in all the striving and rushing of ...
... never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in all the striving and rushing of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words