A Modern Book of Esthetics: An Anthology |
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Pagina 31
An inquiry conducted recently in the public schools of Berlin showed that fifty - three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen a wheat field , sev- enty per cent had never seen a sunrise ...
An inquiry conducted recently in the public schools of Berlin showed that fifty - three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen a wheat field , sev- enty per cent had never seen a sunrise ...
Pagina 185
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
Pagina 236
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word