A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina xix
... novel , Jude the Obscure , for example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the expressiveness . This incidental creation of beauty ...
... novel , Jude the Obscure , for example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the expressiveness . This incidental creation of beauty ...
Pagina 18
... novel arouses . There is no doubt that the delight of expectation may soften the sting even of a disagreeable subject - matter , since the disagreeable thing for which one is prepared is received with less displeasure than that which ...
... novel arouses . There is no doubt that the delight of expectation may soften the sting even of a disagreeable subject - matter , since the disagreeable thing for which one is prepared is received with less displeasure than that which ...
Pagina 219
... novel , especially during the second half of the century , is the classic accomplishment of a growth that sprang from ro- manticism . Many of the English novelists of this time are poets who confront their lyrical inheritance with the ...
... novel , especially during the second half of the century , is the classic accomplishment of a growth that sprang from ro- manticism . Many of the English novelists of this time are poets who confront their lyrical inheritance with the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words