A Modern Book of Esthetics: An Anthology |
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Pagina 288
the present article by defining the nature of the " esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by imagination and charged with vital meaning .
the present article by defining the nature of the " esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by imagination and charged with vital meaning .
Pagina 292
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
Pagina 293
This imagined ac- tivity , or more generally this imagined self , can then also be the object of my joy . But this we are not discussing . We are now only concerned with the immediately ex- perienced activity , the success , the power ...
This imagined ac- tivity , or more generally this imagined self , can then also be the object of my joy . But this we are not discussing . We are now only concerned with the immediately ex- perienced activity , the success , the power ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word