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Pagina 288
the present article by defining the nature of the "esthetic object." It consists of the "
sensuous appearance," not the bare physical object, but the image as remodeled
by imagination and charged with vital meaning. It is the beautiful thing ...
the present article by defining the nature of the "esthetic object." It consists of the "
sensuous appearance," not the bare physical object, but the image as remodeled
by imagination and charged with vital meaning. It is the beautiful thing ...
Pagina 292
The sensuous appearance of the beautiful thing is certainly the object of esthetic
enjoyment, but just as certainly it is not the ground of it. Rather, the cause of
esthetic enjoyment is myself, or the ego; exactly the same ego that feels joyous or
...
The sensuous appearance of the beautiful thing is certainly the object of esthetic
enjoyment, but just as certainly it is not the ground of it. Rather, the cause of
esthetic enjoyment is myself, or the ego; exactly the same ego that feels joyous or
...
Pagina 293
This imagined activity, or more generally this imagined self, can then also be the
object of my joy. But this we are not discussing. We are now only concerned with
the immediately experienced activity, the success, the power, freedom, and so ...
This imagined activity, or more generally this imagined self, can then also be the
object of my joy. But this we are not discussing. We are now only concerned with
the immediately experienced activity, the success, the power, freedom, and so ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words