A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 139
... objectified feelings . It becomes , like them , a quality of the object , which we distinguish from pleasures not so incorporated in the per- ception of things , by giving it the name of beauty . We have now reached our definition of ...
... objectified feelings . It becomes , like them , a quality of the object , which we distinguish from pleasures not so incorporated in the per- ception of things , by giving it the name of beauty . We have now reached our definition of ...
Pagina 142
... objectification of pleasure . It is pleasure objectified . -The Sense of Beauty ( 1896 ) II The Liberation of the Self The esthetic effect of objects is always due to the total emotional value of the consciousness in which they exist ...
... objectification of pleasure . It is pleasure objectified . -The Sense of Beauty ( 1896 ) II The Liberation of the Self The esthetic effect of objects is always due to the total emotional value of the consciousness in which they exist ...
Pagina 147
... objectified " when , thirty years ago , I called beauty " objectified pleasure . " My whole little book The Sense of Beauty was written from a subjective point of view , and nothing was further from me than a wish to hypostatize either ...
... objectified " when , thirty years ago , I called beauty " objectified pleasure . " My whole little book The Sense of Beauty was written from a subjective point of view , and nothing was further from me than a wish to hypostatize either ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words