A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 137
... once , the impressions of which are thereby asso- ciated . Repeated experiences of one object are also asso- ciated on account of their similarity ; hence a double tend- ency to merge and unify into a single percept , to which a name is ...
... once , the impressions of which are thereby asso- ciated . Repeated experiences of one object are also asso- ciated on account of their similarity ; hence a double tend- ency to merge and unify into a single percept , to which a name is ...
Pagina 181
... once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst generali- ties and symbols , as within a tilt - yard in which our ...
... once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst generali- ties and symbols , as within a tilt - yard in which our ...
Pagina 438
... once had been the food its glory fed on : hatred of lies , scorn of riches , contempt of death , faith in the fair ... once more on the road ; to see the good and the hope it bears with it amidst all its threats of violence , amidst all ...
... once had been the food its glory fed on : hatred of lies , scorn of riches , contempt of death , faith in the fair ... once more on the road ; to see the good and the hope it bears with it amidst all its threats of violence , amidst all ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words