A Modern Book of Esthetics: An Anthology |
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Pagina 232
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the ...
Pagina 393
What is Civilization , understood as the organic - logical sequel , fulfillment and finale of a culture ? For every Culture has its own Civilization . In this work , for the first time the two words , hitherto used to express an ...
What is Civilization , understood as the organic - logical sequel , fulfillment and finale of a culture ? For every Culture has its own Civilization . In this work , for the first time the two words , hitherto used to express an ...
Pagina 414
They ex- tracted from the organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic func- tions ...
They ex- tracted from the organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic func- tions ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word