A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina iii
... original context . Aside from these criteria of quality , I have been influ- enced by the matter of date . Since this book is designed as a survey of recent esthetics , I have omitted such older writ- ers as Ruskin , Guyau , and Fechner ...
... original context . Aside from these criteria of quality , I have been influ- enced by the matter of date . Since this book is designed as a survey of recent esthetics , I have omitted such older writ- ers as Ruskin , Guyau , and Fechner ...
Pagina 135
... original state . Thus the so - called " lower pleasures " have been power- ful pleasures in our original experience , but in memory the experience is not pleasurable , or else it is so closely bound up with restrictive painfulness ...
... original state . Thus the so - called " lower pleasures " have been power- ful pleasures in our original experience , but in memory the experience is not pleasurable , or else it is so closely bound up with restrictive painfulness ...
Pagina 353
... original acts that are adequate to those unusual figures . This new life , a life invented after the annulment of spontaneous life , is precisely what we may call artistic understanding and pleasure . This life does not lack in senti ...
... original acts that are adequate to those unusual figures . This new life , a life invented after the annulment of spontaneous life , is precisely what we may call artistic understanding and pleasure . This life does not lack in senti ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words