A Modern Book of Esthetics: An Anthology |
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Pagina 168
Certainly , we sometimes amuse ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are ...
Certainly , we sometimes amuse ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are ...
Pagina 179
Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things and with ourselves , probably art would be useless , or rather we should all be artists , for then our soul would ...
Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things and with ourselves , probably art would be useless , or rather we should all be artists , for then our soul would ...
Pagina 222
When we feel and when we act we are closely aware of ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the ...
When we feel and when we act we are closely aware of ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word