A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 168
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
Pagina 179
... ourselves , nay , between ourselves and our own consciousness a veil is interposed : a veil that is dense and opaque for the common herd - thin , almost transparent , for the artist and the poet . What fairy wove that veil ? Was it done ...
... ourselves , nay , between ourselves and our own consciousness a veil is interposed : a veil that is dense and opaque for the common herd - thin , almost transparent , for the artist and the poet . What fairy wove that veil ? Was it done ...
Pagina 222
... ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the classic procedure when it patterned thought after feeling ...
... ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the classic procedure when it patterned thought after feeling ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word