A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 176
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
Pagina 177
... painter pos- sess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , im- pulses , emotions , or whatever else ...
... painter pos- sess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , im- pulses , emotions , or whatever else ...
Pagina 347
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word