A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 176
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
Pagina 177
... painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , impulses , emotions , or whatever else one ...
... painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , impulses , emotions , or whatever else one ...
Pagina 347
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word