A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 176
... paint his portrait , then this ordinary vision , that seemed so precise , so lively , re- veals itself as little ... painted stands before the artist like a world to discover . Michel- angelo said , " One paints , not with the hands ...
... paint his portrait , then this ordinary vision , that seemed so precise , so lively , re- veals itself as little ... painted stands before the artist like a world to discover . Michel- angelo said , " One paints , not with the hands ...
Pagina 269
... painting attaches any importance to what we call the subject of a picture - what is represented . To one who feels ... painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress . Cézanne whom ...
... painting attaches any importance to what we call the subject of a picture - what is represented . To one who feels ... painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress . Cézanne whom ...
Pagina 486
... Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934 . Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis " in Hogarth Essays . London , 1924 . ( About half ...
... Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934 . Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis " in Hogarth Essays . London , 1924 . ( About half ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word