A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 176
It has been observed by those who have best studied the psychology of artists that when , after having given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait ...
It has been observed by those who have best studied the psychology of artists that when , after having given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait ...
Pagina 269
Now I venture to say that no one who has a real understanding of the art of painting attaches any importance to what ... well when he painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress .
Now I venture to say that no one who has a real understanding of the art of painting attaches any importance to what ... well when he painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress .
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole