A Modern Book of Esthetics: An Anthology |
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Pagina 176
It has been observed by those who have best studied the psychology of artists
that when , after having given a rapid glance at any one , they attempt to obtain a
real intuition of him , in order , for example , to paint his portrait , then this ordinary
...
It has been observed by those who have best studied the psychology of artists
that when , after having given a rapid glance at any one , they attempt to obtain a
real intuition of him , in order , for example , to paint his portrait , then this ordinary
...
Pagina 269
Now I venture to say that no one who has a real understanding of the art of
painting attaches any importance to what we ... as well when he painted a
carcass hanging up in a butcher ' s shop as when he painted the Crucifixion or
his mistress .
Now I venture to say that no one who has a real understanding of the art of
painting attaches any importance to what we ... as well when he painted a
carcass hanging up in a butcher ' s shop as when he painted the Crucifixion or
his mistress .
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a
supplement to the selection printed in the present volume . ) Landmarks in
Nineteenth Century Painting . London , 1929 . An Account of French Painting .
London , 1932 .
( A discussion of the limitations of formalism when applied to literature - a
supplement to the selection printed in the present volume . ) Landmarks in
Nineteenth Century Painting . London , 1929 . An Account of French Painting .
London , 1932 .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |