Dall'interno del libro
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Pagina 370
If his painting is nothing but a colored photograph which makes us ask, what the
name of that shore is, whether there is good bathing and fishing there, and where
the way from that rock leads, then, of course, we are in the midst of connections, ...
If his painting is nothing but a colored photograph which makes us ask, what the
name of that shore is, whether there is good bathing and fishing there, and where
the way from that rock leads, then, of course, we are in the midst of connections, ...
Pagina 463
For in production of a painting or a poem, as well as in making a vase or a temple
, a perception is also employed as means for something beyond itself. Moreover,
the perception of urns, pots and pans as commodities may be intrinsically ...
For in production of a painting or a poem, as well as in making a vase or a temple
, a perception is also employed as means for something beyond itself. Moreover,
the perception of urns, pots and pans as commodities may be intrinsically ...
Pagina 486
(A discussion of the limitations of formalism when applied to literature— a
supplement to the selection printed in the present volume.) Landmarks in
Nineteenth Century Painting. London, 1929. An Account of French Painting.
London, 1932.
(A discussion of the limitations of formalism when applied to literature— a
supplement to the selection printed in the present volume.) Landmarks in
Nineteenth Century Painting. London, 1929. An Account of French Painting.
London, 1932.
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Indice
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |