A Modern Book of Esthetics: An Anthology |
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Pagina 176
It has been observed by those who have best studied the psychology of artists that when , after having given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait ...
It has been observed by those who have best studied the psychology of artists that when , after having given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait ...
Pagina 269
Now I venture to say that no one who has a real under- standing of the art of painting attaches any importance to what ... Rem- brandt expressed his profoundest feelings just as well when he painted a carcass hanging up in a butcher's ...
Now I venture to say that no one who has a real under- standing of the art of painting attaches any importance to what ... Rem- brandt expressed his profoundest feelings just as well when he painted a carcass hanging up in a butcher's ...
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word