A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 266
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
Pagina 281
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
Pagina 307
... particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we have ever accomplished or seen accomplished , raising or ...
... particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we have ever accomplished or seen accomplished , raising or ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word