A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 21
... particular vividness that they are . Naturally , this game would be impossible unless they had a particular interest in animals . And to that extent one can say that the content is important for the vividness of the game . But it is ...
... particular vividness that they are . Naturally , this game would be impossible unless they had a particular interest in animals . And to that extent one can say that the content is important for the vividness of the game . But it is ...
Pagina 266
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
Pagina 281
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word