A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 194
... peculiar delight and enjoys the peculiar capacity of his own medium . This delight and sense of capacity are of course not confined to the mo- ments when he is actually manipulating his work . His fascinated imagination lives in the ...
... peculiar delight and enjoys the peculiar capacity of his own medium . This delight and sense of capacity are of course not confined to the mo- ments when he is actually manipulating his work . His fascinated imagination lives in the ...
Pagina 211
... peculiar principle of intelligibility , the peculiar clarity of every thing . Every form , moreover , is a remnant or a ray of the creative Mind impressed upon the heart of the being created . All order and proportion , on the other ...
... peculiar principle of intelligibility , the peculiar clarity of every thing . Every form , moreover , is a remnant or a ray of the creative Mind impressed upon the heart of the being created . All order and proportion , on the other ...
Pagina 246
... peculiar emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion ...
... peculiar emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word