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Pagina 139
thing is a great abstraction from the mass of perceptions and reactions which that
thing produces; the esthetic idea is less abstract, since it retains the emotional
reaction, the pleasure of the perception, as an integral part of the conceived thing
.
thing is a great abstraction from the mass of perceptions and reactions which that
thing produces; the esthetic idea is less abstract, since it retains the emotional
reaction, the pleasure of the perception, as an integral part of the conceived thing
.
Pagina 141
The passage from sensation to perception is gradual, and the path may be
sometimes retraced: so it is with beauty and the pleasures of sensation. There is
no sharp line between them, but it depends upon the degree of objectivity my
feeling ...
The passage from sensation to perception is gradual, and the path may be
sometimes retraced: so it is with beauty and the pleasures of sensation. There is
no sharp line between them, but it depends upon the degree of objectivity my
feeling ...
Pagina 463
An Anthology Melvin Miller Rader. and say that a thing belongs to the sphere of
use when perception of its meaning is incidental to something else; and that a
thing belongs to fine art when its other uses are subordinate to its use in
perception.
An Anthology Melvin Miller Rader. and say that a thing belongs to the sphere of
use when perception of its meaning is incidental to something else; and that a
thing belongs to fine art when its other uses are subordinate to its use in
perception.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |