A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 139
An Anthology Melvin Miller Rader. thing is a great abstraction from the mass of perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the ...
An Anthology Melvin Miller Rader. thing is a great abstraction from the mass of perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the ...
Pagina 141
... perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception ...
... perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception ...
Pagina 356
... perception of the "lived" reality, and the perception of the artistic form, are in principle incompatible because each requires a different adjustment of our organs of perception. An art which would give us the opportunity to take that ...
... perception of the "lived" reality, and the perception of the artistic form, are in principle incompatible because each requires a different adjustment of our organs of perception. An art which would give us the opportunity to take that ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word