A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 139
An Anthology Melvin Miller Rader. thing is a great abstraction from the mass of perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the ...
An Anthology Melvin Miller Rader. thing is a great abstraction from the mass of perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the ...
Pagina 141
... perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception ...
... perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception ...
Pagina 463
... perception . The distinction has á rough practical value , but cannot be pressed too far . For in production of a painting or a poem , as well as in making a vase or a temple , a perception is also employed as means for something beyond ...
... perception . The distinction has á rough practical value , but cannot be pressed too far . For in production of a painting or a poem , as well as in making a vase or a temple , a perception is also employed as means for something beyond ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words