A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 101
A man suffers , expressing his sufferings by groans and spasms , and this
suffering transmits itself to other people ; a man expresses his feeling of
admiration , devotion , fear , respect or love to certain objects , persons , or
phenomena , and ...
A man suffers , expressing his sufferings by groans and spasms , and this
suffering transmits itself to other people ; a man expresses his feeling of
admiration , devotion , fear , respect or love to certain objects , persons , or
phenomena , and ...
Pagina 190
On the one hand , a person is never ridiculous except ... But , on the other hand ,
just because laughter aims at correcting , it is expedient that the correction should
reach as great a number of persons as possible . This is the reason comic ...
On the one hand , a person is never ridiculous except ... But , on the other hand ,
just because laughter aims at correcting , it is expedient that the correction should
reach as great a number of persons as possible . This is the reason comic ...
Pagina 297
av see another person ' s arm extended . Let the manner of extension be
perceptibly free , easy , sure , proud . Or more generally , I see a person perform
some kind of vigorous , nimble , free , or bold movements . Let these be the object
of my ...
av see another person ' s arm extended . Let the manner of extension be
perceptibly free , easy , sure , proud . Or more generally , I see a person perform
some kind of vigorous , nimble , free , or bold movements . Let these be the object
of my ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole