A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 478
... Philosophy of the Fine Arts from 1900 to 1932. New York , 1933 . For further bibliographies consult Baldwin's Dictionary of Philosophy , Volume III ; Journal of Philosophy , annual bibliography August 1934 and 1935 ; Psychological Index ...
... Philosophy of the Fine Arts from 1900 to 1932. New York , 1933 . For further bibliographies consult Baldwin's Dictionary of Philosophy , Volume III ; Journal of Philosophy , annual bibliography August 1934 and 1935 ; Psychological Index ...
Pagina 481
An Anthology Melvin Miller Rader. Ducasse , C. J .: The Philosophy of Art . Op . cit . Especially Chapters I , II , and VIII . " What Has Beauty to Do with Art " in Journal of Philosophy , XXV ( 1928 ) , pp . 181-185 . " Some Questions ...
An Anthology Melvin Miller Rader. Ducasse , C. J .: The Philosophy of Art . Op . cit . Especially Chapters I , II , and VIII . " What Has Beauty to Do with Art " in Journal of Philosophy , XXV ( 1928 ) , pp . 181-185 . " Some Questions ...
Pagina 494
... Philosophy of William Morris. Durham, N. C, 1927. Jackson, Holbrook: William Morris, Socialist Craftsman. London, 1926. Ruskin, John: "The Characteristics of Gothic Architecture" in Stones of Venice. Many reprints, including "Everyman's ...
... Philosophy of William Morris. Durham, N. C, 1927. Jackson, Holbrook: William Morris, Socialist Craftsman. London, 1926. Ruskin, John: "The Characteristics of Gothic Architecture" in Stones of Venice. Many reprints, including "Everyman's ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word