A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 478
... Philosophy of the Fine Arts from 1900 to 1932. New York , 1933 . For further bibliographies consult Baldwin's Dictionary of Philosophy , Volume III ; Journal of Philosophy , annual bibliography August 1934 and 1935 ; Psychological Index ...
... Philosophy of the Fine Arts from 1900 to 1932. New York , 1933 . For further bibliographies consult Baldwin's Dictionary of Philosophy , Volume III ; Journal of Philosophy , annual bibliography August 1934 and 1935 ; Psychological Index ...
Pagina 481
An Anthology Melvin Miller Rader. Ducasse , C. J .: The Philosophy of Art . Op . cit . Especially Chapters I , II , and VIII . " What Has Beauty to Do with Art " in Journal of Philosophy , XXV ( 1928 ) , pp . 181-185 . " Some Questions ...
An Anthology Melvin Miller Rader. Ducasse , C. J .: The Philosophy of Art . Op . cit . Especially Chapters I , II , and VIII . " What Has Beauty to Do with Art " in Journal of Philosophy , XXV ( 1928 ) , pp . 181-185 . " Some Questions ...
Pagina 485
... Philosophy Illustrated from the System of Thomas Aquinas . Cambridge ( Mass . ) , 1924. Pp . 136-138 . Evans , V. B .: " Scholastic Theory of Art " in Philosophy , VIII ( 1933 ) , pp . 397-411 . Gill , Eric : Beauty Looks After Herself ...
... Philosophy Illustrated from the System of Thomas Aquinas . Cambridge ( Mass . ) , 1924. Pp . 136-138 . Evans , V. B .: " Scholastic Theory of Art " in Philosophy , VIII ( 1933 ) , pp . 397-411 . Gill , Eric : Beauty Looks After Herself ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words