A Modern Book of Esthetics: An Anthology |
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Pagina 31
There is not the slightest reason why this activity should be con- sidered different , psychologically speaking , from the view- ing of pictures on the part of adults . The only difference is this , that the higher art of painting has a ...
There is not the slightest reason why this activity should be con- sidered different , psychologically speaking , from the view- ing of pictures on the part of adults . The only difference is this , that the higher art of painting has a ...
Pagina 196
form , and embodied feeling in a picture . And it is only an illusion to suppose that because you have significant sentences in poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a ...
form , and embodied feeling in a picture . And it is only an illusion to suppose that because you have significant sentences in poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a ...
Pagina 352
And searching for the generic and characteristic note of all new productions , I find that it is the tendency to dehumanize art . The preceding paragraphs give to this formula a certain precision . Let us compare a picture in the new ...
And searching for the generic and characteristic note of all new productions , I find that it is the tendency to dehumanize art . The preceding paragraphs give to this formula a certain precision . Let us compare a picture in the new ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word