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Pagina 31
There is not the slightest reason why this activity should be considered different,
psychologically speaking, from the viewing of pictures on the part of adults. The
only difference is this, that the higher art of painting has a more significant and ...
There is not the slightest reason why this activity should be considered different,
psychologically speaking, from the viewing of pictures on the part of adults. The
only difference is this, that the higher art of painting has a more significant and ...
Pagina 196
form, and embodied feeling in a picture. And it is only an illusion to suppose that
because you have significant sentences in poetry, therefore you are dealing with
meanings which remain the same outside the poem, any more than a tree or a ...
form, and embodied feeling in a picture. And it is only an illusion to suppose that
because you have significant sentences in poetry, therefore you are dealing with
meanings which remain the same outside the poem, any more than a tree or a ...
Pagina 350
If there were no one to live in pure surrender and frenzy the agony of a man, the
doctor would not be interested in it, the readers would not understand the
pathetic gestures of the newspaper reporter who writes up the event, and the
picture in ...
If there were no one to live in pure surrender and frenzy the agony of a man, the
doctor would not be interested in it, the readers would not understand the
pathetic gestures of the newspaper reporter who writes up the event, and the
picture in ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words