A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 31
... picture book also arises from an in- stinctive drive , namely , the impulse to achieve an enlarged view and knowledge of life . The child , particularly , has a pronounced need for this fuller experience because of the narrowness of his ...
... picture book also arises from an in- stinctive drive , namely , the impulse to achieve an enlarged view and knowledge of life . The child , particularly , has a pronounced need for this fuller experience because of the narrowness of his ...
Pagina 196
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
Pagina 280
... picture , the triviality vanishes . The things in the picture take to themselves the emotional qualities which are latent in the pure forms . Swiftness to our eye in traveling over lines is indeed great swiftness 280 THEORIES OF FORM.
... picture , the triviality vanishes . The things in the picture take to themselves the emotional qualities which are latent in the pure forms . Swiftness to our eye in traveling over lines is indeed great swiftness 280 THEORIES OF FORM.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words